home *** CD-ROM | disk | FTP | other *** search
- <text id=91TT0185>
- <title>
- Jan. 28, 1991: Critics' Voices
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1991
- Jan. 28, 1991 War In The Gulf
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' VOICES, Page 12
- </hdr><body>
- <p> MUSIC
- </p>
- <p> WHITNEY HOUSTON: I'M YOUR BABY TONIGHT (Arista). Now wait
- a minute. Before you go dismissing her as a beautiful but
- soul-less dance-floor diva, check out her way with a ballad
- like All the Man That I Need. She comes within striking
- distance of classic saloon soul here and proves she's stepping
- up to fast company.
- </p>
- <p> ALAN FEINBERG: THE AMERICAN ROMANTIC (Argo). This young
- pianist displays his uncommon grasp of the romantic idiom in
- these flavorful, virtuoso pieces by U.S. composers Louis Moreau
- Gottschalk, Amy Beach and Robert Helps.
- </p>
- <p> ART
- </p>
- <p> ART WHAT THOU EAT: IMAGES OF FOOD IN AMERICAN ART, New York
- Historical Society. From Mary Cassatt's 19th century vision of
- Five O'Clock Tea to Andres Serrano's 1984 photograph Meat
- Weapon, 70 works offering a rich diet of social history.
- Through March 22.
- </p>
- <p> NATURE INTO ART: ENGLISH LANDSCAPE WATERCOLORS FROM THE
- BRITISH MUSEUM, Cleveland Museum of Art. A generous sampling
- from the B.M.'s great collection, including paintings by
- Gainsborough, Constable and Turner, as well as such lesser
- known masters as Thomas Girtin and John Sell Cotman. Through
- March 10.
- </p>
- <p> TELEVISION
- </p>
- <p> SUPER BOWL (ABC, Jan. 27, 6 p.m. EST). During the commercial
- breaks, Coke and Pepsi will face off with big-money contests,
- while those beer bottles clash again in the Bud Bowl. Oh, yes,
- and there's a football game.
- </p>
- <p> DAVIS RULES (ABC, Jan. 27, approximately 10 p.m. EST). The
- year's most coveted time period--the one following the Super
- Bowl--goes to this new sitcom starring Jonathan Winters as
- the wacky father of a grammar school principal (Randy Quaid).
- </p>
- <p> MOVIES
- </p>
- <p> MERMAIDS. This mother-daughter comedy has all the trappings
- of 1963 nostalgia--the pop tunes, the cars and clothes, the
- Kennedy assassination--plus another movie anachronism: a lot
- of old-fashioned heart. As Cher's daughter, roiled by puberty
- and obsessed with the lives of the saints, Winona Ryder
- confirms that she is America's most winning young actress.
- </p>
- <p> AWAKENINGS. Actors love to play disadvantaged characters;
- it brings them big challenges and Oscar nominations. Robert De
- Niro is fine as a victim of sleeping sickness awakened by
- neurologist Robin Williams. But Penny Marshall's direction is
- TV-movie ham-fisted, and the film ends up as a case history of
- good intentions run to ground.
- </p>
- <p> HAMLET. Turns out that Mel Gibson, with his brooding
- presence and urgent baritone, is on speaking terms with
- Shakespeare. And Franco Zeffirelli's film is plenty pretty. It
- almost works as a cloak-and-bodkin adventure, but with one
- problem for the kids: all that talk!
- </p>
- <p> THEATER
- </p>
- <p> REMEMBRANCE. Amid the turmoil of Belfast, two elderly people
- meet at a cemetery and form a Protestant-Catholic romance--tender and proper and doomed by "the troubles." Quiet and
- exquisitely acted, this touching off-Broadway drama features
- the lovable Malachy McCourt and the unforgettable Aideen
- O'Kelly, perhaps the finest unsung actress in North America.
- </p>
- <p> THREE SISTERS. Terse, scatological David Mamet and wistful,
- musing Anton Chekhov make a far from obvious marriage, but
- after successfully adapting one of the Russian's short stories
- and Uncle Vanya, Mamet and his Atlantic Theater Company take
- on a masterwork at Philadelphia's Festival Theater for New
- Plays.
- </p>
- <p> WAITING FOR GODOT. Samuel Beckett may be gone, but his
- best-known play proves immortal in this production by the
- Virginia Stage Company's slyly funny artistic director, Charles
- Towers.
- </p>
- <p> BOOKS
- </p>
- <p> THE SECRET PILGRIM by John le Carre (Knopf; $21.95). So what
- if these related tales seem like outtakes from a story that has
- already been told? They are exciting reminders of Le Carre's
- fictional saga of postwar British intelligence, and best of
- all, they include the reappearance of George Smiley.
- </p>
- <p> PORTABLE PEOPLE by Paul West (British American; $10.95,
- paperback). The prolific novelist turns his fertile imagination
- to what he calls "fictional-biography," short, lyrical and
- sometimes surreal sketches of famous writers, musicians,
- politicians, athletes, heroes and villains, ranging from John
- Keats and Chris Evert to Joseph Goebbels and Jack the Ripper.
- A tour de force that is guaranteed to leave you sockless.
- </p>
- <p> ETCETERA
- </p>
- <p> FELD BALLETS/NY. One of America's most talented and stable
- ballet choreographers, Eliot Feld is starting a six-week season--which is no small achievement in recessionary times. Along
- with four premieres, there will be fond looks back at early
- lyrical works like At Midnight (1967). Jan. 29-March 10.
- </p>
- <p> THE PASSION OF JONATHAN WADE. One of the few masters of
- American opera (Susannah), Carlisle Floyd sets his tragedy in
- Columbia, S.C., just after the Civil War at the savage start
- of Reconstruction. Sets by Gunther Schneider-Siemssen. At the
- Houston Grand Opera, Jan. 18-Feb. 2.
- </p>
- <p> BIRD LIVES AGAIN!
- </p>
- <p> THE COMPLETE DEAN BENEDETTI RECORDINGS OF CHARLIE PARKER
- (Mosaic). Alto saxophonist Charlie Parker almost
- single-handedly changed the course of jazz history with his
- lightning-fingered improvisations, rhythmic subtleties and
- harmonic genius--not to mention the fast-living,
- drug-shooting life-style that led to his death at 34 and was,
- unfortunately, widely imitated by his contemporaries. One such
- was Dean Benedetti, a West Coast jazzman who copied Bird in
- every way he could, down to and including his own premature
- death at 34. But Benedetti left behind an extraordinary legacy:
- a cache of impromptu recordings that he had made of Parker's
- live performances in 1947-48. Now this long-lost treasure has
- been rediscovered and issued as a 10-LP or seven-CD boxed set.
- Though the nine hours of music--consisting mostly of
- disembodied Parker solos_can be taxing on the casual listener,
- the set uniquely documents one of Bird's most fertile periods
- and is thus a must-have for any serious jazz fan. (35 Melrose
- Place, Stamford, Conn. 06902; 203-327-7111.)
- </p>
- <p>By TIME's Reviewers/Compiled by Linda Williams.
- </p>
-
- </body></article>
- </text>
-
-